All posts in News

Big in Rotterdam – one of my images ends up working in a Dutch kitchen

I recently got an enquiry from a company in the Netherlands, looking to license one of my images to use in their new office kitchen.

As I mostly do commissions (for small businesses, non-profits and families) and some assignment work (for publications), stock enquiries like this are rare, and most of my images aren’t suitable for stock use.

But I have a few images posted, and they’d come across one of mine that they liked. Since they’re based in Rotterdam (one of the largest container ports in the world) and focus on trade with Asia, they were looking for an image of containers on an Evergreen shipping lines vessel.

A quick Google image search later, they’d found one of my images in my small stock library hosted as a quiet part of one of my sites.

They found it because I’d captioned and tagged the images accurately (and because there aren’t that many good Evergreen container ship images around apparently), and they got in touch and asked about fees to license the image.

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Wanted: Dogs in the Office

Santa Fe is a town that loves its dogs. Half the cars you pass have canine passengers, and the love for the Humane Society and the dog park (not to mention the unofficial dog club that meets in Patrick Smith Park for illicit off-leash adventures) underline how important our pooches are to us here.

And to me, nothing says this more than the number of us who bring our dogs to work. I’m going to start on a photography project documenting dogs and their owners in the workplace. I’ll shoot some photographs, and then interview the owners about what its like having their pets around.

Corrie (our own dog pictured above) is right:  We’re looking to photograph all sorts of dogs and all sorts of workplaces in Santa Fe – law offices, schools, stores, architecture firms, artists’ studios, non-profits, auto repair shops . . . you name it.

Why Dogs in the Office?

Workplaces are both public and private – in theory we’re supposed to leave our personalities at the door, but since we spend so much of our waking lives in them, our private lives tend to creep in round the edges.

And nothing shows this more than bringing our dogs with us to work – here’s a part of the family hanging out with us in a professional environment. I’ll look at how the relationship between the owner and dog changes in the office, and also how the office is changed by the presence of a dog. And it’s such a Santa Fe thing, I think the rest of the world would be interested in this too.

What happens to the Photos and Interviews?

I see the project as having several components – one is the still images, which I’d like to put together into a show. Another component is the audio interviews which would be used to build a video piece in conjunction with the stills. Finally there’ll be a book made out of this, with the stills and some written text based on the interviews.

If you feature in the project, you’ll get a limited edition print of yourself and/or your dog.

Want to get involved?

Drop me an email david@moore-consulting.net or leave a comment here, and I’ll be in touch. Corrie and I thank you.

Editorial Portrait Assignment for PracticeLink Magazine

National medical magazine PracticeLink has just published a photo assignment I shot for them in February.

The job was to shoot an editorial portrait of Dr James Melisi, a surgeon who had recently moved to Santa Fe from the Washington DC area.

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It’s Time to Get Real – Notes from a Documentary Photography Workshop

Jean-Luc looks out at life from his Airstream kitchen

I’m not much of a manifesto guy, but the last week has made me want to jump up on the barricades and take a stand for a particular type of photography.

I’ve just finished the Documentary Storytelling workshop with Pulitzer Prize-winning photojournalist Deanne Fitzmaurice at the Santa Fe Photography workshops. Over four days (that included class time), I shot and edited a story about French chef Jean-Luc Salles, who’s given up running high-end restaurants to cook excellent food from scratch that he serves out of a 1960s Airstream trailer called Le Pod that sits in a parking lot here in Santa Fe. (I’ll write a post about him and show more of the photos later).

I learned a great deal, met lots of good people, and the experience enhanced my love of documentary photography as the most powerful and compelling type of shooting (not to mention the hardest to do well).

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Seven things you can learn from the Kony 2012 Video

How would you like over 80 million views of the video you made for your not very large non-profit? Well, as you probably know, the folks at Invisible Children have just done that with their Kony 2012 campaign, raising awareness of the LRA leader Joseph Kony, responsible for horrific acts of child kidnapping, murder, sexual abuse and forced slavery in Africa.

I don’t know enough to know the full motivations of its creators (which have been widely discussed), but the video has been a social media triumph, so let’s break down some of the keys to its massive success (and not spend too long on the sad follow-up to the triumph):

 1) Make it personal and passionate

The video wraps the cause in a personal story involving the film maker Jason Russell, his son and a survivor from the LRA the family befriends. They could have given many more facts about the case (and some have criticized the video for not going into the details), but telling a more personal story makes the audience (of regular people not journalists or historians) identify more strongly with the campaign. Especially when Russell’s passion and commitment are so apparent.

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New version of New Mexico Community Foundation site

We’re delighted to announce a new version of the site for the New Mexico Community Foundation.

Four years ago we worked on an earlier redesign of the site and we’ve maintained and updated the site in the meantime.

But with a new CEO and changing priorities, it was time for a major overhaul. Working with Eric Griego of Firestik Studio, we helped the NMCF identify their key audiences and objectives, and translate that into a structure for the new site that would be easy to navigate and expandable.

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Full-page photograph used in New Mexico Magazine

The current issue of New Mexico Magazine includes a full-page photograph of mine from last year’s Santa Fe International Folk Art Market.

It shows a little girl standing in front of the lovely decorated archway at the top of the stairs at the Market, and it introduces the magazine’s Going Places section.

I’m particularly pleased because the model in this case is my daughter. I try not to include her in my work too much, but I made an exception in this case.

More of the images I made at last year’s Market are here in a Flickr set.

Updates to Clearing the Vision Photography Website

Just as the cobbler’s children need new shoes, often a web designer’s own sites get neglected because they’re too busy working on other people’s projects.

So it was with the site for my photography business, Clearing the Vision. I had a new logo and a clearer focus on the sort of work I was doing – mainly children’s photography for parents and organizations. But I needed my new site to reflect these developments.

It wasn’t necessary to tear down the site completely to incorporate these changes, which is one of the benefits of a site driven by a content management system. Modifying templates rolls out a new look across the whole site without have to adjust every page.

As well as a new palette and new logo, I added a homepage slideshow that uses JavaScript not Flash, so it works well on iPads and iPhones. I also stripped the rest of the content down on the homepage to give the images and welcome message more prominence.

My site is integrated with Photoshelter to display both public and private client galleries, so I adjusted the Photoshelter custom templates to keep the same look and feel throughout.

For my portfolio section, I added Photoshelter’s new large-size displays (which also work well on mobile devices). A few tweaks to the blog to add the email newsletter signup box and we were done with the technical part.

As ever, re-writing the text content and choosing the right images to accompany was where the real time was spent. That’s the key material that really repays attention.

 

How to Spot a Great Web designer from 250,000 miles

Grover Sanschagrin, co-founder of PhotoShelter recently wrote a helpful blog post outlining things photographers should think about when choosing a web designer. He makes some good points, and then very kindly recommends me personally.

I’m one of eight recommendations, and Grover explains

I’ve created a list of designers (many of them are also photographers) who I feel are worthy of consideration. All of these designers are also experienced with PhotoShelter’s advanced customization capabilities, which means they know how to integrate all of PhotoShelter’s tools into a website or blog.

If you’re a photographer looking for a new site, especially if you’d like it to integrate it with PhotoShelter, I’d love to hear from you. And you don’t just have to take my word that I can help – you can ask Grover.

You can read Grover’s full post here.

Cattle Drive article for New Mexico Magazine wins award

Sunset games

An article I wrote last year for New Mexico Magazine has just been awarded an Award of Merit for Travel Feature from the IRMA (International Regional Magazine Association).

The magazine asked me to go on a cattle drive at the Burnt Well Ranch near Roswell, NM. I hadn’t ridden a horse in 20 years, and had no idea about being a cowboy – which was why they sent me, I think.

There’s an excerpt from the piece here, and here are some of the photographs I took (in an amateur capacity on this occasion) while on the drive.